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This weekend in-person workshop will consist of three sessions open to actors, directors, and anyone who works in theatre who is interested in learning more about Anne Bogart's process of physically and collaboratively solving creative problems. Participants should be prepared to move each day.

Program Days and Dates:

  • Friday September 30 from 7-10pm
  • Saturday October 1 from 1-4pm
  • Sunday October 2 from 2-5pm

In Person in a NYC studio. Proof of up-to-date vaccination, masks, and a negative PCR test prior to studio entry are required. Masking and testing protocols may be adjusted in alignment with current pandemic conditions.

Deadlines and notification dates: 

Applications Close: September 6, 2022. For early acceptance and notifications for travel, please apply by August 6, 2022.

Cost of the workshop:
The cost of the workshop is $500. The $30 non-refundable application fees are used the cover the admin costs of processing applications for our programs; however, if that fee creates a significant hurdle for you please reach out to us at training@siti.org to discuss.

BIPOC Scholarships
SITI has a limited number of $300 scholarships for BIPOC artists. To be considered for that scholarship, please email training@siti.org. SITI offers these scholarships as a part of a larger effort to diversify our training room. We recognize that having BIPOC representation in each training makes the experience better for all artists and hope this offering will help us to build a safer room for our BIPOC alumni and collaborators. Individual artists’ scholarship status will not be disclosed to faculty or other artists.

For more information:
SITI Company: http://siti.org/training
Suzuki Method: http://www.scot-suzukicompany.com/en/
Viewpoints: http://www.sixviewpoints.com/

Who should apply:
This workshop is open to actors, directors, dancers, and performance makers.
Artists who have not trained with SITI before are welcome and encouraged to apply.

Please reach out to SITI's office with any questions at training@siti.org.

 

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